On our recent trip to the big smoke (not so smoky these days, fortunately), Andy and I stopped off at the Courtauld Gallery . It houses a very good collection of impressionist and post-impressionist art, and if that floats your boat it’s well worth a visit if you’re in London.
We’d lugged our sketching kits around all day, and decided to make good use of them to draw one of Degas’ bronzes – there was a handy bench in just the right place, which made her all the more appealing.
It was so interesting to take a very close and considered look at the statuette in the course of making the sketch. I hadn’t realised quite how solid the dancers he modelled were; this one was not a nymph, she was a real woman, curvaceous and graceful.
I don’t mind most of the imperfections in this sketch, and I think the scratchiness is quite characterful. However, as you’ll see I made an error on the position of her left arm, which I decided to ‘correct’ with white paint. It sort of worked…I’d have been happier if I’d got it right first time though!
I love your bold strokes. You captured the pose very well.
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Thank you Sharon! 🙂
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Your sketch has solidity and weight too. A teacher of mine said that too many pictures of nudes looked like they would float off the page!
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Thank you – I’m glad that comes over. I couldn’t condone a floating nude… 😉
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Oh I love The Courtauld. And your sketch is so weighty, just like a real woman
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Yes, it’s a brilliant collection. Thank you very much Rosie :).
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☺
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