Imagine… It’s the Christmas holidays. I’ve had a rest, and now feel guilty about not making art. I have a conversation on social media with friends about said guilt and not knowing what to do. The conversation concludes with me saying I should just get on and do ‘something’. Sound advice.
So, here it is. That ‘something’. I don’t really know where it came from, other than that there was a bowl of walnuts sitting on the kitchen window ledge. How the collage element muscled in there, I’m not sure, except I am partial to a bit of that sticky fun.
But what I do know for a fact is that I enjoyed making this immensely. Cutting the newspaper was the first step, then brown Amazon packing paper for the mass of walnuts – evidently cutting individual walnuts would have been a complete time hog, so I went for them all together. A Kuretake brush pen and white gel pen sufficed for the darks and lights.
My biggest fear in this was that, having already cut the shapes of the walnuts near the back of the bowl and glued the paper, once I got into drawing the mass of nuts not everything would still fit together. However, providence was with me and it all worked. The blue section is glazed decoration on the bowl, but a friend thought maybe it was a draped cloth. I’m ok with that.
The jury is still out on whether to add a shadow to this, or leave it floating. My dad commented ‘it’s not pretty, but it’s interesting’, and I think he’s got a point. He also remarked that it has a print feel to it, and I would agree. I have been looking at a lot of linos recently, and I’m sure it’s rubbed off in the reduction of the walnuts to three basic tones.
It’s so interesting how one discipline cross-pollinates another. I’m pretty sure that when I return to watercolour painting I will find that my approach has been somehow modified by my recent printing experiments, as both work from light to dark in a layering process. Food for thought indeed.
Happy New Year everyone – may 2019 be full of inspiration, creativity and good times!