Taking the previous waterfall experiment as a starting point, I then thought it would be entertaining to take it further into a small series. In truth, I thought a drawing of the scene would complement the more abstracted version of the waterfall, and help it to ‘make sense’.
I do really enjoy drawing in fineliner, and it was quite a meditative process to convert the image to monochrome, although I’ll admit I’d forgotten how long just drawing something can take when you’re really concentrating on the detail.
It was satisfying to use the humble brown paper to draw on, and the white gel highlighter added at the end really helped the image spring to life.
I’m pleased with the graphic feel of this one – not so much my usual style, but I think it works for the drama and starkness of the subject.