Still on holiday for this sketch (I’m eking them out). The chair had been calling to me for a couple of days. I liked the shape of it, the simplicity, moulded from a single piece (probably plastic) and upholstered in grey tweedy fabric. I knew I didn’t want to paint it. Somehow a line drawing seemed right, and fortunately it came without too much bother. I had fun with the slightly broken lines, and especially with the fringe on the cushion. I like the sparsity of the chair compared to the complexity of the plant and stool. Fineliners rule! (well, sometimes).
The V&A museum in London is a great place for sketching. On the very busy day I visited the gallery staff went above and beyond in locating me a folding stool to take with me as I mooched about looking for a sketch subject.
In a strange coincidence I ended up on the top floor furniture gallery, where there were far fewer visitors and some wonderful examples of furniture. These two chairs really appealed to me, both for their differences and similarities.
The first, older chair I neglected to read about, and now I regret my carelessness. I was attracted by its combination of elegance and comfort, and the beautiful turquoise silk upholstery.
The lower chair is by Frank Lloyd Wright, dating from 1904 – I never knew he’d had a bash at making furniture. This one’s an office chair, and seems to me to have a rather robotic personality. Although it looks rather hard and angular, maybe that’s a good thing in an office chair, keeping the user focused and away from daydreams.
I first made sketches in black fineliner, and then, having carted my Inktense pencils around London, I decided that a splash of colour on these chairs would be just the thing. So that, with the help of a waterbrush, was what I did.