Another bit of watercolour portrait practice, this time from a photo of a chap very dramatically lit. I liked the complexity of his wrinkles and bags, and the slight furtiveness of his stare.
Once again, I know I didn’t spend long enough sketching out the features, wanting to get started on the painting, which was what this was all about for me. So the ‘second eye’ syndrome has struck. But not to worry.
Handling the different textures of hair and skin, was the focus. The dry brushwork came much easier working with tube colour rather than pans, and offered some pleasingly crunchy texture round the edges.
Using dark Indigo, Payne’s Grey (always) and a dark red seemed a little daunting, but is a decision I’m pleased I took. In fact, I wish I’d used a soupçon more of the red. It made a beautiful warm brown and added interesting highlights when unmixed. Maybe next time.