Some years ago we took a short break in Dartmoor, and spent one glorious afternoon at a local beauty spot in Postbridge. Famous for its clapper bridge, this is truly one of the most idyllic English scenes you could wish for. Our son made a new friend, who had brought a fishing net, and they spent a happy hour looking for minnows in the shallow water. (If you do take a look at the link above, you’ll see a photo of the stones they were standing on to fish, in front of the bridge). We were lucky enough to capture this moment as a photo, which brings back fond memories.
Now back to recent days. My painting buddy Andy and I were seeking a new ‘challenge’ to paint, and had decided on water as the theme. In the pile of images for consideration was this one. Daunting, but interesting. We decided that we should raise our game and have a go at it – facing up not just to water, but figures too.
Andy made a stonking first study in pen and wash, which deterred me from doing the same. Therefore I plumped for having a bash at the same subject in pastels, which would still let me try out the colours and composition in preparation for making an acrylic painting next week. I used Rembrandt pastels (kindly lent to me by my mum), on mountboard, which I quite like for its smooth texture.
Overall, I’m reasonably happy with how this one worked out. I may alter the cropping slightly when I make the painting, but this study did let me get my eyes and hands around the figures and have a good look at the reflections in the water and how I might treat them. Hardest this time for me were the skin tones, dark water tones, and the boys’ faces, the latter mainly due to the chunky nature of the pastels I was using. Getting the features in needed to be a matter of suggestion rather than explicit detail. I suspect the same will be an issue with the painting. We shall soon see!